King Kong was made in 1933 and it was directed and produced by Merian C. Cooper as well as Ernest B. Schoedsack. The film follows the story of a group of American film makers who travel to a distant island where they discover a giant gorilla who becomes infatuated with the blonde actress in the group. The team capture the gorilla and take him back for public exhibition in America. King Kong includes worldly views from the time period that it was made, meaning that often it is very sexist and racist with the African tribesmen being shown as primitive and savage-like and the white American film crew shown as heroic, daring and brave. Repeatedly the female lead character Ann Darrow is put down and considered below the rest of the sailors and film crew due to her gender. She is said to be frail and to get in the way just like all woman. This really reflects the views towards woman and people of a none white race for the time period. King Kong can also be repeatedly linked into slaver...
This much more dynamic, Maddi! Boom! A couple of observations I'd make - 1) I think it will be odd if that big bit of foreground on the left isn't a 3D model - it doesn't make sense to me that this bit should be a drawing. I'd also say about this element that it's a shame it doesn't have a bit more interest going in in terms of picking up on the colours of your world a bit more - otherwise it's a big slab of grey and seems a bit dead on the eye to me...
ReplyDelete2) Could the road surface not be giving more to the overall composition? I can certainly see how road-markings would lift this element - again - it looks to me as if you're making the road a flat drawing, but again this doesn't make sense to me, because, logically, if this was a digital set for an animation, you'd model the ground plane, simply because it would make everything easier in the long run. (It would also be more credible if the kerbs for the pavements had actual geometry).
3) So, the matte painting - if we imagine then that the foreground element and the ground plan is modelled, that means your matte painting is essentially of a patch of blue sky. I think you should raise the ambition of your matte painting and use it more proactive to 'extend your set' - i.e. give us a greater sense that your city recedes into the distance behind the opera house element - what do you think?